Sungkho

Dhapa (wooden bowl)    
 

sculpture of lord buddha

Bhutan’s artistic tradition has its roots in Buddhism with almost all representation in the arts running along the prevailing theme of struggle between good and evil.  A rare blend of Tibetan, Indian, and Chinese styles in a characteristic Bhutanese setting, Bhutanese art is mostly symbolic.  It is highly decorative and ornamental. The Buddhist nature of Bhutan’s artistic heritage may be traced to Pema Lingpa, the great 15th Century terton (treasure discoverer), who was an accomplished painter, sculptor, xylographer, and architect.  In 1680, Desi Tenzin Rabgye opened the school of Zorig Chusum to teach 13 types of Bhutanese arts and crafts under the instruction of Shabdrung Ngawang Namgyel. Such promotion of traditional Bhutanese art has been preserved through the centuries, with continued patronage provided by the Royal family, nobility and clergy.  The common people, who depend on the artisans for a wide variety of metal and wooden objects indispensable to typical Bhutanese households, provide active support to the arts.
 

Buddhist painting

Thanka /canvas painting
 

Buddhist painting
 

Traditional Bhutanese art is distinctive for its religious flavour and anonymity.  The artist is often a religious man who creates the work commissioned by a Jinda or patron.  Paintings and sculpture are made by groups of artists working in special workshops executed by monks or laymen.  The basic preliminary work is done by the disciples, after which the master carries out the finishing touch of fine details.